{"title":"Digital Albums","description":null,"products":[{"product_id":"genealogy-1","title":"Genealogy","description":"","brand":"CODE Quartet","offers":[{"title":"Digital Download","offer_id":39426482405536,"sku":"068944862252","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39799428022432,"sku":"068944862221","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/6ff5bde0-6ea0-4a43-99a4-0cfe1a3cdd658557938599530183011-LARGE_42026c55-71ea-4953-9362-4c79135f4af7.jpg?v=1615327379"},{"product_id":"just-for-my-lady-1","title":"Just For My Lady","description":"\u003cp\u003eRecorded during the fall of 2012, Just for my Lady documents the formidable rapport between pianist Oliver Jones and his long-time sidemen, veteran bassist Éric Lagacé and drummer extraordinaire Jim Doxas, a genuine rising star on the Canadian jazz horizon. Whether on hard driving numbers 'Josee’s Blues' or on melancholy ballads 'Lights of Burgundy' and 'When Summer Comes', the trio displays an astounding synergy that only comes from the profound respect, the sincere affection and the solid trust each member of the group obviously feels for the others.\u003c\/p\u003e\n\u003cp\u003eThe commanding presence of very special guest Josée Aidans on violin is a welcome addition to the trio’s unique brand of swinging elegance. With a quality of emotion that recalls Stéphane Grappelli’s panache particularly on Michel Legrand’s 'Windmills of Your Mind', Aidans blends into the group as if she's always been a part of it, and still lets us hear a distinctive voice that gently challenges the other musicians to surpass themselves.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Oliver Jones","offers":[{"title":"Digital Download","offer_id":39426549645472,"sku":"0068944025152","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39435076960416,"sku":"068944025121","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/5c9c9a26-3fef-450f-b936-df464dbab23916462709801168270979-LARGE_f485b520-cc5d-44f5-a38e-62c35252c73a.jpg?v=1615327551"},{"product_id":"taoue-2","title":"Taoue","description":"\u003cp\u003eTaoue (Justin Time) is an Abdoulaye N'Diaye release produced by David Murray. In one of the meatier portions of \"Aduna,\" singer Tidiane Gaye flows Islamic-inflected Wolof vocalizations, after a remarkable kora improvisation, as the performance frees itself into a liberating Afro-jazz romp coda with brain-opening soprano sax closing choruses.\u003c\/p\u003e\n\u003cp\u003eN'Diaye's Senegalese musical heritage is avowedly influenced by American jazz sax players as well as his classical conservatory education in Europe. The strong writing and playing of this young musician is at ease with traditional African material, per \"Casa Leule,\" or irresistibly tribal jazzy melodious reedings on \"Xarrit Sama.\" N'Diaye musters any technique available to a saxophonist with a repertoire ranging from bebop, such as \"Cobb's Cat\"-with an enriched Dave Burrell piano solo-to the relentless marching swing of \"Wakhtane\" or the hip, sultry, mainstream jazz ballad \"Darn That Dream.\"\u003c\/p\u003e\n\u003cp\u003eN'Diaye has enviable intonation, range, intelligence and chameleonic skills as a soprano, alto and tenor sax polyglot.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Abdoulaye N'diaye","offers":[{"title":"Digital Download","offer_id":39435860213920,"sku":"0068944016853","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39435876860064,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/7fc0b847-fda7-4d8e-8afe-f08c958684844130774281772468912-LARGE_2bf5c6ad-cff4-48df-b99e-706342775525.jpg?v=1615416018"},{"product_id":"for-you-e-1","title":"For You...\"E\"","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne does not have to listen too long to Wray Downes' versions of \"Falling in Love with Love\" and \"Teach Me Tonight\" to discover that Oscar Peterson is his main role model. A veteran Canadian pianist who has been playing professionally for nearly 50 years but was under-recorded until recent times, Downes does not let the O.P. influence bury his own musical personality. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHis interplay with bassist Dave Young (who has plenty of short solos including several bowed choruses) and drummer Archie Alleyne is quite impressive and the result of many years of playing together. This set (which alternates standards, obscurities and originals) has no weak numbers or throwaways among the 11 selections and the music always swings. Highlights include the two numbers mentioned above, the bass feature \"What a Time We Had,\" a rapid \"Fascinating Rhythm\" and Downes' blues-with-a-bridge \"R.B.'s Line.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Wray Downes","offers":[{"title":"Digital Download","offer_id":39436332433568,"sku":"0068944007950","price":9.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/653fc55d-410a-4a49-a5a6-f4857b52ce61844779781236512772-LARGE_cf2afe8c-72b8-47b6-8186-c392dd05d8ed.jpg?v=1615421862"},{"product_id":"takin-it-2-the-next-level-1","title":"Takin' It 2 the Next Level","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIt is obvious from the first notes that this is a very different outing by the World Saxophone Quartet — the band is backed by a rhythm section. The playing of keyboardist Donald Blackman, bassist Calvin Jones and drummer Ronnie Burrage actually adds to the music rather than taking away from the core band, for their funky rhythms are fairly unpredictable and adventurous in their own way.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe WSQ (which at the time consisted of David Murray on tenor and bass clarinet, baritonist Hamiet Bluiett, altoist Oliver Lake and John Purcell on saxello and tenor) sounds inspired by the \"new\" setting, and their playing is as adventurous as ever. Mostly sticking to group originals, the expanded band explores many moods on such numbers as \"Wiring,\" \"Rio,\" \"The Desegregation of Our Children\" and \"When Thee Monarchs Come to Town\".\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e- All Music Guide.\u003c\/p\u003e","brand":"World Saxophone Quartet","offers":[{"title":"Digital Download","offer_id":39442719244448,"sku":"0068944009350","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39442793037984,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/cf3c9eb4-c794-4759-a910-02c3ebb00cfd12036175875952078120-LARGE_3c2c034e-1cf1-4131-a797-8a095fa6f57d.jpg?v=1615482665"},{"product_id":"steppenwolf-1","title":"Steppenwolf","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eExtended pieces make up most of the program presented here by the World Saxophone Quartet in a live\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eChicago\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eappearance from 1999. In front of an audience, the foursome is loose and natural; what you see is what you get.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSince 1976, this ensemble has taken its alluring persona on the road in chamber jazz fashion with great success. Their product is always a treat. When\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJulius Hemphill\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003epassed in 1995 and John Purcell joined the unit, things kept on rolling smoothly. To our relief, the quartet has extended its horizons and maintained its high level of quality.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe recording includes spoken song introductions by David Murray, Purcell, Bluiett, and a spoken narrative by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eOliver\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLake. Hearing their voices brings the listener even closer to this quartet. Each of the four artists has something vital to offer, both from personal experiences and through the horn. Composed music forms the basis for this performance. Improvisation comes naturally. Without a rhythm section, you sometimes get naked space between ideas. The World Saxophone Quartet uses this quality to place emphasis where needed. Emotions run high throughout the performance, and their music has never sounded better. Highly recommended, this one is yet another thrilling episode from a superb unit.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e-Jim Santella\u003c\/p\u003e","brand":"World Saxophone Quartet","offers":[{"title":"Digital Download","offer_id":39443145392288,"sku":"0068944012855","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39443195068576,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/eec8ea2a-e816-4f42-9390-418267f966c914594838538862985043-LARGE_b80c8ad0-4d3a-44f5-b226-e2bf868f7cb9.jpg?v=1615485248"},{"product_id":"crossroad-diaries-1","title":"Crossroad Diaries","description":"\u003cp\u003eGuitar-ripper Karch gets big sound from his band, his notable blues mentor\/producer Walter Rossi, and certainly his Strat. He sounds a bit like a Colin James or Brian Setzer (Both Happy) in voice and, considering the horns, large band.\u003c\/p\u003e\n\u003cp\u003eThe arrangements, like in the sumptuous In Blue, betray that a lot of talents had hands in this. Karch co-penned all the songs (mostly with James Stadnyk) and the grooves are showy blues\/rock: ballads like Just About Broken or Goodbye blend with drivers like We Ain't Going Home Tonight or the top cut The Flame.\u003c\/p\u003e\n\u003cp\u003eWith this kind of production and backing, big wonder if Karch isn't opening soon for name acts or, who knows, maybe they'll be opening for him. (Dean Cottrill)\u003c\/p\u003e","brand":"Adam Karch","offers":[{"title":"Digital Download","offer_id":39443347177632,"sku":"0068944017850","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39443592380576,"sku":"68944017829","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/df9f44c1-0d35-4655-adc4-8e9072c30c4017895771006345601609-LARGE_25c791de-7c69-403f-b3b9-a5cc4de84185.jpg?v=1615486873"},{"product_id":"selim-sevad-a-tribute-to-miles-davis","title":"Selim Sevad: A Tribute to Miles Davis","description":"\u003cp data-mce-fragment=\"1\" abp=\"1050\"\u003eWhile there is a plethora of Miles Davis tribute albums out there, this one is interesting for the basic fact that this horn quartet attempts to evoke his spirit without the use of a trumpet. To add spice, they employ African drums, with kalimba and voice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" abp=\"1051\"\u003e-Tim Sheridan\u003c\/p\u003e","brand":"World Saxophone Quartet","offers":[{"title":"Digital Download","offer_id":39443349995680,"sku":"0068944011957","price":9.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/230adc38-2f8f-44bd-809e-ff6b6d039b032448989575620892406-LARGE_a32047b2-0495-4faa-a903-da7253b58fa3.jpg?v=1615486915"},{"product_id":"requiem-for-julius-2","title":"Requiem for Julius","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eRequiem for Julius\u003c\/em\u003e dedicates itself to the memory of founding WSQ member Julius Hemphill (here again replaced by John Purcell). The quartet stands alone—without its recent companion, African drums—and invokes its remarkable ability to trade off between tight arrangements and free improvisation. In fact, it's often hard to tell where the arrangements leave off and the improvisation begins. Despite the quarter century of musicianship shared between the other three founding members, Purcell plays with maturity and sensitivity, fitting right in.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe general feel of the record is reflective and downtempo, making generous use of space, although—as always—there are exceptions. The title track, a David Murray composition, rings clear as the strongest on the record: it manages to reflect a contemplative mood, while making effective use of melody and a bluesy sound.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e-Nils Jacobson\u003c\/p\u003e","brand":"World Saxophone Quartet","offers":[{"title":"Digital Download","offer_id":39443520782496,"sku":"0068944013753","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39443541393568,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/51a64001-122e-46b4-b727-6dce9c4f6d6c18183287148749936831-LARGE_88082053-4dfd-4007-93f5-4be04c5098f3.jpg?v=1615488926"},{"product_id":"political-blues-2","title":"Political Blues","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLong recognized as an avant-garde fixture with creativity up the wazoo, the World Saxophone Quartet has a language all its own. Its four-part harmony flows worlds apart from the norm while its improvised antics reach right out into your soul and grab hold. The quartet's albums can usually be ranked at the top before you even take a listen because you know that emotions are going to be on fire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAs a departure from the World Saxophone Quartet's usual performance,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePolitical Blues\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eallows its members to communicate with a broader audience in terms that everybody can appreciate. They've incorporated the blues into their creative work in such a way that it gets right to the heart of the matter. With an augmented line-up that makes trombonist\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCraig Harris\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ea full-time member of the organization, the bands sound turns around. Electric bass, hard-hitting drums and guest vocalists add considerable changes to the quartet's usual format. The WSQ has departed from its funky avant-garde position, and has entered territory usually reserved for rhythm-and-blues bands.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe personality that David Murray,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eOliver Lake,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHamiet Bluiett\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJaleel Shaw\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eissue comes from the WSQ's original roots. Intense and filled with passion, their music rocks hard. This time out, however, they've decided to communicate from a casual perspective that opens the door for pointed lyric messages and vital discourse. The world needs to wake up and listen.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e-Jim Santella\u003c\/p\u003e","brand":"World Saxophone Quartet","offers":[{"title":"Digital Download","offer_id":39443720568992,"sku":"0068944022151","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39443755860128,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/67b1442c-d7bd-4f82-9ab7-6010fed47c1418014048972158545542-LARGE_0ef1e919-5070-448d-9037-74ad53e46587.jpg?v=1615490024"},{"product_id":"33-1","title":"33","description":"\u003cspan data-mce-fragment=\"1\"\u003eIn Alex's own words, \"as a longtime devotee of music from the classic genre I find something of a kinship with the music that buoyed nations through the \"dirty thirties\"... The initial concept of this record was to honor that kind of spirit with songs popular in 1933, recorded while I was 33.\"  Along with her longtime band the 'Alleycats' - the music is presented with all the love, fun and respect it deserves.  The late, great Jeff Healey (who produced her first two recordings) called Alex \"the greatest current exponent of the classic American Song.\"  Pangman makes music of the past captivatingly present with her persuasive and infectious charm.\u003c\/span\u003e","brand":"Alex Pangman","offers":[{"title":"Digital Download","offer_id":39443783385248,"sku":"0068944856954","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39443829031072,"sku":"068944856923","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/90d7f78f-9408-4247-abf1-1f910fac1f6c15148055291235254551-LARGE_13d3e5cb-f494-4a7b-8d7a-55a50d500a65.jpg?v=1615490748"},{"product_id":"new-chapter-the-25th-anniversary-1","title":"New Chapter: The 25th Anniversary","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eTo the uninitiated, the title of this disc might portend bad omens. These four guys have been playing saxophone together for twenty-five years—how can they possibly still be interesting? Of course, that question is answered most affirmatively after a few minutes of listening, but it still deserves comment. With a combined eight decades of shared experience, the members of the WSQ have an amazing degree of cohesion. They constantly teeter on the balance between arranged parts and full-on improvisation, knowing intuitively when to hold back and when to unleash their collective energy.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem data-mce-fragment=\"1\"\u003e25th Anniversary\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ealso marks a return to fundamentals for the WSQ, after numerous tributes and collaborations. Precisely four musicians play on this disc, and they perform only original compositions (David Murray's arrangement of the traditional \"Goin' Home\" is the sole exception). In this setting, individual musical personalities shine through more clearly than ever. The opening track,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMurray's \"Suki Suki Now,\" offers an upbeat bluesy theme with loosely interwoven harmonies—and plenty of space to stretch out. Contrast this version with the one found on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMurray's recent Power Quartet recording (\u003cem data-mce-fragment=\"1\"\u003eLike a Kiss That Never Ends\u003c\/em\u003e) and the WSQ approach seems much more angular yet grounded. Even during formally coordinated parts, the quartet paints with broad strokes, blurring lines and shifting about to defy expectations. Bluiett's brief \"Bits 'n' Pieces\" presents darker hues, with greater harmonic and tonal complexity. The improvisation here is open-ended and moody. And with John Purcell's \"The New Chapter,\" the quartet explores sonorities made possible through overdubbing. The WSQ's first experiment of this kind, Purcell's tune explores denser harmonies and allows players the opportunity to improvise over arranged segments. It's not a total success, but the novel approach holds potential for expanding the quartet's palette.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThis disc offers special rewards to listeners interested in the possibilities available through pure saxophone sound. With the amazing tonal and timbral range available to these four players,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e25th Anniversary\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003epresents proof that maturity can indeed be a valuable asset.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e-Nils Jacobson\u003c\/p\u003e","brand":"World Saxophone Quartet","offers":[{"title":"Digital Download","offer_id":39443828768928,"sku":"0068944014958","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39443845677216,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/48794611-1ab7-4919-b60c-b4e2ebc1fc7e12821956724108848397-LARGE_9d432152-9e97-4713-bf65-6001265878e5.jpg?v=1615491279"},{"product_id":"mbizo-1","title":"M'Bizo","description":"\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eM’Bizo\u003c\/em\u003e ’s reason for existence is twofold and intertwined. “The M’Bizo Suite” itself was written and choreographed specifically for a 1998 World Cup Carnavalcade held in northern France; this accounts for the theme of European-Asian-African unity, and may help explain the heartening robustness of the disc. As explained by David Murray in the liners, the album is also “for all those great musicians who had to leave their homeland, for those who were able to return and for those who never saw it again.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSobering conceits often result in anthemic sloganeering at the expense of musical grace, but with\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eM’Bizo\u003c\/em\u003e, it’s as if the WSQ and their South African guests internalized the notions of Unity to the point of complete unity of performance. The entire album, true to jazz and to African music, moves like a conversive dance, where the opening gumshoe vocal\/Makhoyane-instrument tandem of “Snanapo” is transferred to drums\/bass, the horns reduce everything to ecstatic chaos before building melodic statements, given extra harmony and darker shadings by the keyboards, until the listener realizes that behind all this American Jazz Freedom the original South African segment had formed a spine that the WSQ had fleshed out.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Suite itself is built on the simple chant of “Africa-Europe-Asia” plus wordless syllables, presented first in a slow tempo, then doubled for “Sizelapha”. The album’s richest harmonies and melodies explode in the last two tracks. “Mashidiso” is especially touching.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMurray\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003easked the dancers to write verses expressing an expatriot’s longing for the country he had been forced to leave. The graceful song carries a woman’s name, and they - the South Africans and the WSQ - sing the type of “baby, baby” that hasn’t been heard around here in a long time.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e-Derrick A. 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Although Jimi Hendrix passed in 1970, his music has stayed with us through thick and thin. How could we have ever survived Vietnam without his music? Two Gulf wars and numerous tragedies, both home and abroad, have left their mark on our existence. Through it all, several generations have been fortunate to have the Jimi Hendrix Experience on their side.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBluiett, who worked with Charles Mingus in the early 1970s, founded the WSQ in 1976 along with Julius Hemphill, David Murray and Oliver Lake. Their collective experience, since the quartet’s inception, has combined elements of progressive jazz, soulful blues, and swinging hard rock. The force is there: in your face.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA younger generation has joined the WSQ for this tribute to Jimi Hendrix. Bassist Matthew Garrison is the son of Jimmy Garrison, the memorable straightahead jazz bassist who completed John Coltrane’s quartet along with Elvin Jones and McCoy Tyner. The younger Garrison supports this quartet with a strong foundation that embellishes, but does not interfere with the ensemble’s progressive state of affairs. Oliver Lake’s son, Gene, holds down the drum chair with aplomb. His riveting posture adds to the rock experience, and turns particularly forceful on the fiery “Machine Gun.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith nearly two dozen albums to its credit, the World Saxophone Quartet combines veteran composure with fresh ideas. Craig Harris and Billy Bang introduce added excitement. The quartet’s four-part harmony (and disharmony) works wonders for the soul. Their music lets you escape from a humdrum routine and from all the usual sources for worry. With this\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eExperience\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e, you're in for a world class treat.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Jim Santella\u003c\/p\u003e","brand":"World Saxophone Quartet","offers":[{"title":"Digital Download","offer_id":39444044087456,"sku":"0068944016051","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39444054802592,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/cfedb124-618f-4552-9d27-16eb6001355914789656688500002710-LARGE_beae9826-f414-4df6-889e-ddd3aa930d2b.jpg?v=1615493297"},{"product_id":"im-all-dressed-up-with-a-broken-heart-1","title":"I'm All Dressed up with a Broken Heart","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e—\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCanada’s ‘sweetheart of swing’ Alex Pangman has released her newest single, “I’m All Dressed Up With a Broken Heart” — available now!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe award winning and JUNO Award nominee’s version of the 1931 piece is sung to the sounds of viola and guitar, allowing the melancholy tones of the strings to echo Pangman’s distinctly striking vocals, as if in sympathy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe song’s beautiful lyrics and melody tell the story of perseverance in spite of heartbreak, a theme as essential today as it was some 90 years ago when first penned by Fred Fisher, Stella Unger, and Harold Stern, and performed by the likes of Connee Boswell.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“I’m All Dressed Up With a Broken Heart” is the follow-up to Pangman’s prior and most recent December 2019 release, “If I Don’t Mean It”; the previously unrecorded and yet-to-be-heard original composition by Boswell was specifically gifted to Pangman by the late icon’s family, and went on to reach #1 on the iTunes Jazz Chart.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Connee is the grandmother of today’s jazz and pop singing,” says Pangman of Boswell and her vast accomplishments, ranging from selling 75 million records to inspiring generations of singers, most notably Ella Fitzgerald and now Pangman herself. “I don’t expect a revival, but I do hope to bring her name to more people’s lips.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile the video was shot in Florence, Italy in a circa-1700s traditional Florentine apartment, Pangman recorded “I’m All Dressed Up With a Broken Heart” in Toronto, Ontario at the studio of violinist Drew Jurecka, who plays on the track alongside Pangman’s ‘go-to’ guitarist, Nathan Hiltz. 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The result is a kind of free jazz moving with -- as opposed to against -- a melodic center, and even when these selections slide to the atonal side, it all fits and manages to be both surprising and expected at the same time, which means this set is wonderfully accessible. Bang's violin work is as fresh and vital as always, and one quickly forgets the oddity of a violin at the center of a jazz combo as Bang and Lowe play off of and around each other with a sharp but free flowing precision that only comes with a deep respect and familiarity for each other's talent and range.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe powerful \"Dark Silhouette\" is the emotional center of this performance, but all four selections are a tangible part of a whole, and it is a disservice to this album to look at it any other way. The show may have been a swan song for Lowe, but it is still full of a delightful, gentle joy, and the music is uplifting, natural and -- in the best sense -- logical. Lowe on his deathbed asked Bang to make sure this performance was released. One can hear why. 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The R\u0026amp;B bass ostinato against bubbling Latin rhythm sets Burrage ablaze during \"Don's Dream,\" while more funky blues and a simple melody works with a complex, acid-tinged Bang solo on \"Three Faces of Eve.\" The hippest of modern compositions, \"Spirits Entering\" is rambunctious, loaded with changes -- many on the spot -- and framed by modal piano. Jackson constantly challenges rhythmic parameters and melodic barriers, while Bang follows suit. Both are at the top of their game on this one. \"'Bama Swing\" might turn out to be a standard; certainly it's a signature piece for the violinist, a very tuneful, straight swinger wiith both plucked and bowed melody lines which any listener should appreciate. This is Billy Bang's finest recorded hour -- a hallmark for modern jazz violin in the 1990s, and a strong candidate for best jazz CD of 1997.                                                                                     - Michael G. 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From swinging to slow and sultry, these 15 thematic gems are performed by some of the biggest names in jazz, included are Diana Krall’s captivating performance of this Can’t Be Love, Hank Jones’ thoughtful Because I Love You and the timeless talents of Oliver Jones and Oscar Peterson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eYou’ll be charmed by the subtle vocal styling's of Angela Galuppo from the jazz\/pop band St. Ange and sway to Carol Welsman’s Hold Me.  Swing out to Fraser MacPherson's You Took Advantage Of Me, sink into Ranee Lee’s lovely rendition of When A Woman Loves A Man,  Brian Hughes' oh so smooth Promise You, and the great Johnny O’Neal asks Why Try To Change Me Now?  Also featured are stellar performances by the world renowned Rob McConnell Tentet, celebrated vocalists Carmen Lundy and Susie Arioli and pianists extraordinaire Taurey Butler  and Paul Bley. 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It storms out of the gate with \"Xalatal,\" which immediately sets the temperature on boil with its mix of wild guitar, keyboard, and sabar, or talking drum, and doesn't let up until they deliberately slow things down seven tracks later with \"Waxonalako,\" where the sensual beat makes up for the lack of pace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTidiane Gaye is a powerful lead singer, riding over the lyrics rather than caressing them, and guitarist Assane Diop seems to worship at the altar of Jimmy Page and Jeff Beck. It's startling stuff, and throughout the disc they never put a foot wrong, upping the intensity track by track before finding warp factor nine on \"Salimata.\" The album reminds you how powerful and driving mbalax rhythms can be in the right hands -- and how much N'Dour, the genre's leading figure, has diluted his music over the years. Tidiane et les Dieuf Dieul could become a major force in Senegalese music, given the right opportunities. They have the power -- all they need is more chance to unleash it.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e- AllMusic Review by Chris Nickson\u003c\/span\u003e\u003c\/p\u003e","brand":"Tidiane Gaye","offers":[{"title":"Digital Download","offer_id":39463258685600,"sku":"0068944013951","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39463287259296,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/91bfd3b2-2dc0-41b2-bc76-c20f6abb06718968592545095281100-LARGE_2d9b32b0-1421-4f4a-9f52-8c24f34d9e7c.jpg?v=1615672841"},{"product_id":"lappartement-1","title":"L'Appartement","description":"","brand":"Thomas Hellman","offers":[{"title":"Digital Download","offer_id":39463313572000,"sku":"0068944021659","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39463330775200,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/4fa61f21-bba7-4791-bb5a-435c41cd47191287722139911660654-LARGE_6247ca38-9b8c-44ba-a1b4-96273a4ca6ee.jpg?v=1615673717"},{"product_id":"the-romance-of-improvisation-in-canada-the-genius-of-eldon-rathburn-1","title":"The Romance of Improvisation in Canada - 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The recording consists of new interpretations of old standards as well as some fresh originals. Born in East Orange, New Jersey, Taurey Butler studied piano from the age of seven until he was 14. He stopped lessons for a few years as he felt uninspired by the music that was presented to him. Hoping to revive Taurey's interest, his high school teacher gave him a CD of Oscar Peterson. It was a revelation! Since then Taurey has played in numerous cities across the world from Hong Kong to New York and now Montrealers have the opportunity to hear him perform regularly at the House of Jazz. People often comment on his resemblance to the young Oscar Peterson, both in appearance as well as his winning combination of hard swing and melodic invention.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGratifying as it may be, he backs away from the compliment.  \"There's only one Oscar,\" he says. But there is no question that the one Oscar Peterson had a profound effect on Taurey's life and his music.He has performed at notable venues and festivals including The Blue Note, The JVC Jazz Festival, and The Cotton Club in NYC, as well as the Detroit Jazz Festival and the New Orleans Jazz Festival. Taurey's astounding talent has also allowed him to perform with many renowned artists, some of whom have won Grammys. This list includes Eldee Young (bassist for the Ramsey Lewis Trio and his own acclaimed group Young-Holt Unlimited), Ernie Watts, Carmen Bradford (the last vocalist to sing with Count Basie), Bobby Durham (drummer for Oscar Peterson, Ella Fitzgerald, etc.), George Hughes (drummer for Dizzy Gillespie, Sarah Vaughan), Dave Valentin, Ralph Peterson, Kim Plainfield, and Pucho and His Latin Soul Brothers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHe has also opened for Tito Puente and Ray Charles. From 2000 to 2007, Taurey played with Eldee Young's trio at jazz venues in Singapore, Hong Kong, Dubai, and at Bangkok's premier jazz room, The Living Room. It was after Eldee's passing in 2007 that Taurey began to think of moving forward with his own music again.With his recent debut as a leader, Taurey is taking this opportunity to establish the sound of his trio through writing and developing his musical ideas. There is no doubt that this gifted pianist will continue to make his mark on the music world of Montreal and beyond.\u003c\/p\u003e","brand":"Taurey Butler","offers":[{"title":"Digital Download","offer_id":39463505461408,"sku":"0068944024254","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39463535607968,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/78260487-a4d2-4b70-a1c8-2121ecc395161387898971154248439-LARGE_e2774a06-ac7d-4447-8c22-50b2294e3031.jpg?v=1615676740"},{"product_id":"pennies-from-heaven-2","title":"Pennies from Heaven","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePennies From Heaven\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the Susie Arioli Swing Band's sophomore release, would prove to be Ralph Sutton's last recording session. The stride piano master appears on a hushed, haunting \"Don't Explain\" and a boogie-woogie romp called \"Walter's Flat,\" composed by Arioli's fabulous guitarist, Jordan Officer, who again gets front-cover billing. Arioli's vocals are chipper and versatile, taking plainspoken delight in songs by Fats Waller, Duke Ellington, Cole Porter, and more. In a quirky twist, Arioli also serves as the band's drummer, softly tapping out four with brushes on a snare drum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOfficer, bassist Solon McDade (or Colin Bray), and acoustic guitarist Michael Jerome Brown round out the group's offbeat, minimalistic lineup. Jeff Healey walks on for a Django-esque acoustic solo flight on \"Having Fun,\" a Memphis Slim tune that one could imagine being sung by Patsy Cline. But the chief attraction is Officer, whose twangy, old-school archtop sound and sparse, witty phrasing suit everything from Nat King Cole-style swing (\"No Regrets\") to rockabilly (\"Jordan's Boogie\") to Chicago blues (Otis Rush's \"Sit Down Baby\").\u003c\/span\u003e\u003c\/p\u003e","brand":"Susie Arioli","offers":[{"title":"Digital Download","offer_id":39463565459616,"sku":"0068944018154","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39463569850528,"sku":"","price":12.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/8466943d-8cda-4d6e-87f9-41ad12b8fefb10779840091855118136-LARGE_ddd9d58a-084f-4ecd-9ee7-4763c5a910ed.jpg?v=1615677689"},{"product_id":"sugar-mama-blues-2","title":"Sugar Mama Blues","description":"","brand":"Taj Mahal","offers":[{"title":"Digital Download","offer_id":39463593214112,"sku":"0068944915354","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39463602782368,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/dd8f5fe5-91dc-4c2f-9368-379ca65454d21761943428916306757-LARGE_99c65fd9-83b4-4b8b-a37e-8104fdca9952.jpg?v=1615678396"},{"product_id":"thats-for-me-2","title":"That's for Me","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThat's for Me\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the Susie Arioli Band's third release for Justin Time and it makes a specialty of a 1930s style of swing. With influences and a knowledge of repertoire from Leadbelly to Stuff Smith, from Tammy Wynette to Ella Fitzgerald, listeners seeking an array of rarely heard songs are sure to enjoy this great collection of music. Arioli's soft, sincere, charming voice is the perfect foil for Jordan Officer's acoustic and electric jazz guitar stylings which provide a hint of folk, light swing and country music flavors. The Canadian chanteuse has a very interesting voice that is reminiscent of Peggy Lee, Patsy Cline and Tammy Wynette all rolled into one (check out \"It's a Good Day,\" \"Tess' Torch Sing\" and \"Why Do I.\") However, Susie Arioli revitalizes and adds to these Great American Songbook standards and makes this music her own.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHer treatment of \"Mother Earth\" as a soft blues that tells it like it is after your time is over here on earth shows her musical depth and knowledge of repertoire outside of her native Canada and well-known swing style. Rodgers \u0026amp; Hammerstein's obscure gem \"That's for Me\" features a memorable solo from Jordan Officer on acoustic guitar. The lyrics are very sweet and Arioli manages to seduce her listeners with a wispy interpretation of being attracted to someone she notices in the park! Overall, Arioli's choice to re-interpret these obscure songs, and to restyle them in such an appealing manner is quite an accomplishment. Vintage or not, on That's for Me, they speak to a different generation and provide a wonderful vehicle for Susie Arioli's talents as a vocalist and drummer.\u003c\/p\u003e","brand":"Susie Arioli","offers":[{"title":"Digital Download","offer_id":39463650951328,"sku":"0068944019557","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39463657898144,"sku":"","price":12.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/8d53c53b-8a99-46d7-bd7b-4b1ad43d16eb4761847398982741387-LARGE_51cc4295-0fe8-43bd-98a9-9269cc9ce79c.jpg?v=1615679764"},{"product_id":"learn-to-smile-again-1","title":"Learn to Smile Again","description":"\u003cp data-mce-fragment=\"1\"\u003eAs likely hasn't escaped your notice, more and more jazz singers are mining material from the great pop-rock songwriters of the 1960s and '70s--Joni Mitchell, Lennon and McCartney, Laura Nyro, Van Morrison, Jimmy Webb, Leiber and Stoller, Carole King and the Brill Building crowd, Smokey Robinson and others from the Motown stable, etc. But one incredibly rich vein of American gold has been all but ignored. Until, that is, a Canadian--Montreal-based singer and bandleader Susie Arioli--decided it was high time to tap it. The singer-songwriter in question is country-pop whiz (and, later, Tony-winning Broadway composer) Roger Miller, the Texan tunesmith best known for such mid-'60s novelties as \"Dang Me,\" \"England Swings\" and his signature hit \"King of the Road\"--none of which number among the half-dozen Miller compositions included here.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInstead, Arioli--working as always alongside guitar virtuoso and arranger Jordan Officer--digs deeper to unearth such treasures as \"Less and Less,\" \"Husbands and Wives,\" \"Half a Mind\" and \"A World I Can't Live In,\" each a glorious testament to Miller's talent for clever wordplay. Rounding out this cashmere-soft set are a hauntingly tender treatment of Webb's \"By the Time I Get to Phoenix, Howard Dietz and Arthur Schwartz's equally self-reflective \"By Myself\" and two original Officer instrumentals that suggest the hypnotic lure of Santo and Johnny infused with a spicy splash of Les Baxter.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e-Christopher Loudon\u003c\/p\u003e","brand":"Susie Arioli","offers":[{"title":"Digital Download","offer_id":39463680409760,"sku":"0068944021451","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39463688208544,"sku":"","price":12.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/ffa60475-c518-457a-8d33-f30522f0579113128330935889120190-LARGE_3ca505a5-add5-43be-aac1-4427abc39bc5.jpg?v=1615680534"},{"product_id":"steve-haines-and-the-third-floor-orchestra-feat-becca-stevens-chad-eby-joey-calderazzo","title":"Steve Haines and the Third Floor Orchestra (feat. 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Supported by guitarist Bucky Pizzarelli and bassist Jon Burr, the legendary violinist swings through 20 numbers in a vibrant, joyous way that transcends age.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePerpetually in motion, Grappelli's distinctive improvisational approach enables him to lithely float above the tight underpinning provided by Burr and Pizzarelli. Detailed with hip intros, endings, and ensemble sections (\"All God's Chillun Got Rhythm,\" \"Night and Day,\" \"Honeysuckle Rose\"), the arrangements obviously received a good measure of attention. It all factors into the chemistry between Grappelli and Pizzarelli, who plays rock-solid time throughout and gets in some nice chordal and single-note solos on tunes like \"Blue Moon,\" \"Fascinating Rhythm,\" and \"Sweet Georgia Brown.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile some posthumous releases border on exploitation by compromising recording and performance quality, this one maintains high standards on both counts. A worthy tribute to a jazz legend who for much of his career was known merely as Django's violinist.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBy\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/jazztimes.com\/contributors\/10-jim-ferguson\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/jazztimes.com\/contributors\/10-jim-ferguson\"\u003eJim Ferguson\u003c\/a\u003e\u003c\/p\u003e","brand":"Stéphane Grappelli","offers":[{"title":"Digital Download","offer_id":39463802437792,"sku":"0068944846955","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39463832879264,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/860219c1-d708-4f99-962b-0c8588f044bd1414958679877847834-LARGE_c55bacf1-bc3e-49ae-8430-1316c4daf363.jpg?v=1615683433"},{"product_id":"second-nature-1","title":"Second Nature","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMeet the band\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSt. Ange is best described as a musical sponge that's been gathering melodic bits and pieces from Casio demo tracks to bebop licks and beyond. Their 11 track debut album Second Nature, on which front lady, Angela Galuppo, takes her shiny new self-producing\/lyricist\/composer tricycle out for a ride, is a meeting ground where jazz and pop music collide and become instant BFFs. With the combined energy and musical influences of the 5 core members (who all met while studying jazz at Concordia University), St. Ange is the perfect addition to the neo jazz wave firing up the music scene. Drawing inspiration from new jazzers Esperanza Spalding and Gretchen Parlato, Motown, singer\/songwriters, epic 70's power ballads and the Montreal sound, St. Ange combines the vocal sensibilities of jazz with with a dreamy touch of pop. St. Ange is a place for pop kids and jazz nerds to say hi, dance, cry on each others shoulders and realize they have more in common than they ever could have imagined.  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cem data-mce-fragment=\"1\"\u003eA few words about Second Nature from Ange...  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"I've been singing forever because when I do, it feels natural. I can't help or deny it; it's the biggest part of me. With Second Nature, I let my ears and heart take a trip and I just tagged along for the ride. It led to a record that reflects the people I encounter and my influences all the while keeping things simple and honest.\" -ag\u003c\/p\u003e","brand":"St. Ange","offers":[{"title":"Digital Download","offer_id":39463919288480,"sku":"0068944857555","price":9.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/9aca1b20-cca4-4518-9102-edf57a15a25b17975709106922158222-LARGE_4c7fd504-e657-46c2-b2f0-c73b49bd57b7.jpg?v=1615685596"},{"product_id":"sortie-2","title":"Sortie","description":"","brand":"Sortie","offers":[{"title":"Digital Download","offer_id":39463936360608,"sku":"0068944004751","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39463942586528,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/147620c0-7576-46ee-b77b-cd93b97a854912100254383251947675-LARGE_ae2bea43-c1cf-47c3-8eda-470e6427bc6a.jpg?v=1615685915"},{"product_id":"walk-on-2","title":"Walk On","description":"\u003cp\u003eAlthough Sonny Terry \u0026amp; Brownie McGhee had a stormy, tempestuous relationship at times, they recorded more than their share of great Piedmont blues during their many years as a duo. Terry and McGhee parted company in the mid-'70s, but Walk On (which Just a Memory\/Justin Time reissued on CD in 2005) finds the two of them reunited on-stage at the Rising Sun Festijazz in Montreal, Quebec, on July 22, 1980 (when Terry was 68 and McGhee was 64).\u003c\/p\u003e\n\u003cp\u003eAnd despite all of the well-publicized friction that sometimes existed between them in the '60s and '70s, Terry and McGhee don't sound like they are unhappy to be reunited on this 55-minute disc -- not at all. In fact, the two of them enjoy a strong rapport during a six-song set that includes performances of \"Good Morning Blues,\" \"Walk On,\" and \"I'm Gonna Get on My Feets After a While\" (which is a perfect example of why the Terry \u0026amp; McGhee twosome was highly regarded in both blues and folk circles).\u003c\/p\u003e\n\u003cp\u003eWalk On isn't strictly a Terry \u0026amp; McGhee release; while half of the CD is devoted to them, the other half consists of three selections by Lightnin' Hopkins and three by Louisiana Red (who is in good form on \"I'm a King Bee\" and \"Sweet Home Chicago\"). And it is interesting to note the stylistic differences between the artists -- you have Piedmont blues from Terry \u0026amp; McGhee, Texas blues from Hopkins, and a Louisiana-meets-Chicago approach from Louisiana Red.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sonny Terry \u0026 Brownie McGhee","offers":[{"title":"Digital Download","offer_id":39463962443936,"sku":"0068944915552","price":9.99,"currency_code":"CAD","in_stock":true},{"title":"CD","offer_id":39463971881120,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/8477\/2768\/products\/cd97e5c6-546b-45a6-83f1-6f5eea98610c7385638309243026154-LARGE_61ee0d5f-7024-4aff-b194-4dab83bd1400.jpg?v=1615686327"}],"url":"https:\/\/justin-time.com\/collections\/digital-albums.oembed?page=12","provider":"Justin Time Records","version":"1.0","type":"link"}