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Downloads include choice of MP3, WAV, or FLAC

Although the all-stars featured on this live set (bairtonist Hamiet Bluiett, pianist Don Pullen, bassist Fred Hopkins, drummer Idris Muhammad and percussionist Chief Bey) were familiar with each other's playing, this particular quintet also existed for the one week that they played at the New York club Carlos I. Bluiett and the late Pullen had complementary styles, quite exploratory yet at times surprisingly accessible. Pullen had the ability to play dense, atonal phrases in a catchy, rhythmic fashion, and his approach is the most memorable aspect of the set. Muhammad and Bey complement each other quite well, and Hopkins was always a versatile and powerful musician, both as a soloist and as an accompanist.

As for Bluiett, he has long been the master of high-note baritone playing; his soloing is almost traditional during parts of "Oleo," and he contributed the first three originals, which are inside/outside and very viable vehicles for advanced improvising. The five lengthy pieces (only "Tunisia" is under ten minutes) give listeners an opportunity to hear a unique and short-lived band.

- Scott Yanow, All Music Guide

Live At Carlos 1

Hamiet Bluiett, Concept

$9.99

The Mighty Denn
Full, Deep and Mellow
Nali Kola
Oleo
play_circle_outline
A night in tunisia
9:51
add_shopping_cart $1.29

Downloads include choice of MP3, WAV, or FLAC

Although the all-stars featured on this live set (bairtonist Hamiet Bluiett, pianist Don Pullen, bassist Fred Hopkins, drummer Idris Muhammad and percussionist Chief Bey) were familiar with each other's playing, this particular quintet also existed for the one week that they played at the New York club Carlos I. Bluiett and the late Pullen had complementary styles, quite exploratory yet at times surprisingly accessible. Pullen had the ability to play dense, atonal phrases in a catchy, rhythmic fashion, and his approach is the most memorable aspect of the set. Muhammad and Bey complement each other quite well, and Hopkins was always a versatile and powerful musician, both as a soloist and as an accompanist.

As for Bluiett, he has long been the master of high-note baritone playing; his soloing is almost traditional during parts of "Oleo," and he contributed the first three originals, which are inside/outside and very viable vehicles for advanced improvising. The five lengthy pieces (only "Tunisia" is under ten minutes) give listeners an opportunity to hear a unique and short-lived band.

- Scott Yanow, All Music Guide